Sighting Shots by Allison Fisher

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By Allison Fisher

Sighting Shots

This month I would like to address the difference between aiming and sighting a shot.  Those players who have developed a good routine will know that they don’t just get down o­n a shot and expect to see a magic point to aim at. Aiming starts from an upright position with body alignment. Before even getting down o­n a shot a player should stand in front of the shot and, o­nce a decision is made o­n how the shot will be executed, line his or her body up a certain way. This is not the same for everyone. For example, I line up my right leg, while others turn their bodies more and may use the cue stick to align for the shot. You can do this either by placing the cue stick level and stepping in around it or by dropping the cue down the line of the shot from above after lining up the stance.

How do you sight the shot?  If you are a beginner, it is very hard to understand how to see the shot. When first starting out, many players don’t understand how to cut a ball. The contact point is different from where we aim the cue ball. The contact point is the part of the object ball that we want to cover with part of the cue ball. The contact point o­n a shot is the farthest point from the pocket. When we look at a half-ball shot, we would like half of the cue ball to cover half of the object ball, as this part of the object ball is farthest from the pocket. Another way to explain this is to imagine a mirror image. If I am playing a fine cut, I pick an edge of the object ball that is farthest from the pocket and then I imagine the same portion of my cue ball covering that, thus creating a mirror image.

What makes this particular shot tough is that you are literally aiming to miss the object ball, which makes it uncomfortable because you are aiming with your vision into thin air because the target has almost disappeared. To be good at these shots you need to have a lot of trust in your set-up and mechanics, which goes back to what I first mentioned.

With plenty of practice you will learn how the shots look and how to aim and sight. For a beginner the easiest way to start seeing the various angles is to set up a line of five balls across the side pocket about a diamond out. Put another ball behind each o­ne in line with the pocket. This ball will represent a ghost ball. This is where we want our cue ball to contact the object ball. Now move the cue ball with ball in hand each time to five different locations.  The first represents a full-ball contact. If you place the cue ball about a foot from the other two balls in a straight line, you will see that the whole ball is covered in front of you. This is the farthest point from the pocket. This is the point at which we want our cue ball to strike the object ball.  The other shots are as follows: half ball, three-quarter ball, quarter ball, and thin cut.

Each time take ball in hand and move the cue ball around so that you are o­nly covering the desired position o­n the object ball. You will see that no matter where you place the cue ball the ghost ball is fully covered. But when you look at the object ball o­nly portions are covered. Therefore the aiming point and contact points are completely different. Good luck!

 

Visit InsidePOOL for the more lessons and instructions in billiards and pool from Allison Fisher.

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