A Change of Perspective

A Change of Perspective
by Tom Simpson

 simpsonsept03.jpgIt’s gonna sound corny, but too bad. It’s a serious suggestion. You’ve heard it from everyone from coaches and sports psychologists to Chevy Chase in “Caddyshack.”
 “Be the ball.” There. I said it. Be the ball. When you stop snickering, read o­n.
 The suggestion here is to change your perspective. Chances are, unless you are already a high-level player, you are watching your object balls fall in pockets. It’s fun. It’s gratifying. But is it necessary? Is it the best approach? Maybe not.

When you are a beginner or intermediate level player, it is important to watch the object ball. Keeping an eye o­n the object ball will teach you how cut shots work and give you the necessary thousands of memories of how much cut and speed produce which results. Watching the object ball will also tend to help you stay down after your hit stroke, which is good form. Staying down o­n the shot shows confidence and commitment, even if you miss. As you get better, it’s also valuable to start to see which part of the pocket your shot is hitting (left point, left side, center, right side, or right point). This feedback is important to the learning process.

 So, if not the object ball, what should you watch? The cue ball!
 Yes, the cue ball. After all, what’s the game really about, o­nce you can sink balls? Controlling the rock. What makes o­ne player better than another? A big part of it is how well – and how consistently – they can position that cue ball. If you’re pocketing balls pretty well, do you really need to watch the object ball? You’ll hear it if it falls in the pocket. Assume the object ball is going down. Watch the cue ball, and learn the important stuff. 

This is a really simple idea, but if you’re not doing it, you’re in for a big improvement. Watching the cue ball gives you helpful feedback o­n the reality of how the ball behaves. It also improves your focus and feel.
 You should be looking down the shot line when you hit the cue ball. Most instructors agree you should o­nly look at the cue ball last if you’re breaking or shooting an elevated shot such as a swerve, jump, or massé. If you’re looking at the cue ball during the hit moment, it will take an act of faith o­n your part to make this change. Try closing your eyes. You’ll probably still make the shot, and maybe you’ll begin to believe you don’t have to be looking at the cue ball when you hit it. 

Before you go down o­n the shot, think about where you want the cue ball to go, and what it will have to do to get there when it leaves the object ball collision. Try watching the cue ball as it comes into your field of view and approaches and hits the target. Focus o­n seeing it bounce off the object ball. You may find this actually enables you to see the target spot more precisely. Many players visualize the target line as slicing through the object ball. When you switch to watching the cue ball, you may start seeing the spot where the cue ball will be when it strikes the object ball. As you begin to see in this new way, your focus should improve. Better focus brings better feel. Better feel gets better position. Better position wins more games.
 This shift will liberate you from worrying so much about sinking the object ball. Ya got that already. Associate with the cue ball. Give it your attention. Have a plan, and believe in it. Be the ball. See it happen. Thank me later.
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